Nobuyuki Shimizu was born in Kyoto Prefecture in 1950. He graduated from the Department of Japanese Painting at Kyoto City University of Arts and went on to complete its graduate program as well. His talent was recognized early; in 1972, while still a student, he made his debut at the Nitten Exhibition, where he was selected for the first time. In 1984, at the Japan-France Exhibition, he received both the France-Soir Prize and second place overall, earning him international recognition.

Shimizu’s works are characterized by a calm and poetic style, often depicting themes such as the quiet atmosphere of the ancient capital Kyoto, the majestic presence of Mt. Fuji, and the changing of the seasons. While realistic, his paintings do not merely reproduce reality; instead, they delicately capture the “presence,” “silence,” and “life” that dwell within nature and landscapes. Respecting tradition while incorporating a modern sensibility, he is an artist who continues to convey the enduring allure of Nihonga.

Nihonga (Japanese painting) is a traditional painting style of Japan, typically executed on washi paper or silk using natural mineral pigments and ink. Originating with yamato-e in the Heian period, it later developed into various schools such as the Kanō school, the Rimpa school, and ukiyo-e. Its main subjects include the changing seasons, landscapes, flowers and birds, and human figures, with an emphasis on poetic expression and the beauty of empty space rather than strict realism. The elegance of line, serenity, and simplicity are distinctive features, embodying an aesthetic different from Western painting. While honoring tradition, contemporary Nihonga artists continue to experiment with new techniques and modes of expression, ensuring the ongoing evolution of the art form.